Archive #2021

GION CAMINADA: ARCHITECTURE AND LONGUE DURÉE

GRISELDA POLLOCK AND ELISABETH BRONFEN: CROSSMAPPINGS AND AFTER-IMAGES

CRISTINA BECHTLER, DANIEL BAUMANN, BICE CURIGER, HANS ULRICH OBRIST AND PHILIP URSPRUNG: CURATORS INTRODUCTION

JÜRG KIENBERGER: DANKE, DANKE, DANKE

KATE RAWORTH: DOUGHNUT ECONOMICS

FRITZ HAUSER: DRUM PIECE 3

MERLIN SHELDRAKE: ENTANGLED LIFE

FROM ZUOZ WITH LOVE AND NEBELSCHLANGE

GABRIEL CHAILE AND HANS ULRICH OBRIST: IN CONVERSATION

MICHEL AUDER AND ADAM SZYMCZYK: GARAGE OPERA

ALEXANDER KLUGE: HOMMAGE À FERNAND BRAUDEL

PETER FISCHLI AND DARIO GAMBONI: ICONOCLASM - A STORY OF LONGUE DURÉE

NORMAN FOSTER: LONG DURATION IN THE CITY

CHRIS DERCON: LOOKING BACK FORWARD

WU TSANG AND TOSH BASCO: MOVED BY THE MOTION

SIMONE FATTAL: POETRY READING

LUZIUS KELLER AND STEFAN ZWEIFEL: PROUST IN ENGADIN

RAPHAEL HEFTI: SALUTARY FAILURES

ISABEL LEWIS: SCALABLE SKELETAL ESCALATOR

ETEL ADNAN: SHIFTING THE SILENCE

ROMAN KRZNARIC: THE ART OF BEING A GOOD ANCESTOR

KENNY SCHACHTER: THE CYNICAL IDEALIST

EMMA HODCROFT: THE LONGUE DURÉE OF PANDEMICS

BEN MOORE: THE PAST, PRESENT AND FUTURE OF OUR MOON

MANTHIA DIAWARA: THE POETICS OF SOLIDARITY

TRAJAL HARRELL AND DANIEL BAUMANN: IN CONVERSATION

DANIEL BAUMANN AND HANS ULRICH OBRIST: W.A.N.D.E.R.I.N.G.

LEO TUOR: WISSEN VOR ORT

CHRISTINA FORRER: COUP D'OEIL: WOVEN INTO ETERNITY